An 8-page-long transcription of Paul Motian‘s drumming on “Everything I Love” from Keith Jarrett‘s “Life Between The Exit Signs.”
A 5-page transcription of Roy Haynes’ drumming on “Windows” from the album “Now He Sings, Now He Sobs” by Chick Corea.
A 5-page transcription of Paul Motian‘s drumming on “Margot” from Keith Jarrett‘s “Life Between The Exit Signs.”
A 2-page transcription of Paul Motian‘s drumming on “Stairway To The Stars” from Bill Evan’s “Moon Beams.”
A 4-page-long transcription of Billy Hart on Herbie Hancock’s “Rain Dance,” from the 1973 recording “Sextant.”
9 pages of transcriptions of Philly Joe Jones on Wynton Kelly’s album “Kelly At Midnight,” including accompaniment on the tunes Temperance and Pot Luck, as well as solos.
A 3-page long transcription of Tony Williams accompaniment to Charles Lloyd’s solo on “The Best Thing For You” from the 1965 album “Of Course, Of Course.”
5-pages of transcriptions of Max Roach drum solos with Clifford Brown & Sonny Rollins.
A 3-page transcription of Roy Haynes’ accompaniment to Chick Corea’s piano solo on “Now He Sings, Now He Sobs” from the album “Now He Sings, Now He Sobs.”
A 3-page transcription of Paul Motian‘s drumming on “Around Again” from Paul Bley‘s album “Turns.”
A 4-page transcription of Roy Haynes’ accompaniment to Chick Corea’s piano solo on “Steps” from the album “Now He Sings, Now He Sobs.”
A 7-page transcription of Roy Haynes’ accompaniment to Chick Corea’s piano solo on “What Was” from the album “Now He Sings, Now He Sobs.”
7 pages of transcriptions of Philly Joe Jones solos and trading with Sonny Rollins, 1956–57, from the albums “Tenor Madness” and “Newk’s Time.”
A 2-page transcription of Paul Motian‘s fours on “Your Own Sweet Way” and “Walkin’ Up”.
A 2-page transcription of Paul Motian‘s drumming on “Carnival”
A 5-page transcription of Roy Haynes’ accompaniment to Harold Land on “Bloomdido,” 1980s, from the album “5 Birds And A Monk.”
A 2-page transcription of Paul Motian‘s drumming on “Music I Heard” from Bill Frisell’s album “Rambler.”
6 pages of transcriptions of some of Paul Motian’s interpretations of rock feels 1968–74
A 2-page transcription of Paul Motian‘s drumming on “Tanner Street” from his album “Jack of Clubs.”
A 2-page transcription of Paul Motian‘s drumming on “Theme For Babylonians”
8 pages of transcriptions of Tony Williams accompaniment on various recordings on Blue Note from the years 1963–64.
7 pages of Elvin Jones solos and accompaniment from various recordings including Thad Jones, Lee Konitz, Yusef Lateef, Barry Harris
11 pages of transcriptions of Roy Haynes trading and soloing on various recordings (2), 1950s–80s
8 pages of transcriptions of Roy Haynes’ trading and soloing on various recordings (1), 1963–81
2-pages of transcription of Jack DeJohnette on “First Light” (album). Very short, but very musical examples of mambo, rock, swing, 1972.
3 pages of transcriptions of Roy Haynes’ solos “A Singing Song” and “Careful,” recorded with Gary Burton in 1968 and 1976.
6 pages of transcriptions of Roy Haynes’ accompaniment on “52nd St. Theme,” and solo on “Muffin” recorded on Tommy Flanagan’s “Trinity,” 1976.
8 pages of transcriptions of Roy Haynes trading and soloing on various recordings (3), 1950s–80s
A 2-page transcription of Paul Motian‘s drumming on “Re: Person I Knew”
11 pages transcriptions of Paul Motian‘s drumming on Leni Stern’s album “The Next Day”
A 1-page transcription of Elvin Jones march and mambo on “Zoltan”
3 pages of transcriptions of Roy Haynes’ accompaniment and solos on Stanley Cowell’s LP “Equipoise,” 1979
A 6-page transcription of Roy Haynes’ accompaniment Roy Haynes’ accompaniment on “Air,” from the 1963 album “The Straight Horn of Steve Lacy.”
Transcriptions of Al Foster fours and eights from Jack Wilkin’s “Merge,” Tommy Flanagan “The Magnificent,” and The Great Jazz Trio “Revisited Vol. 2”
A 6-page transcription of Roy Haynes’ accompaniment Roy Haynes’ accompaniment on “Criss-Cross,” from the 1963 album “The Straight Horn of Steve Lacy.”
A 4-page transcription of Roy Haynes’ accompaniment to Gary Burton’s solo on “Semblence,” from the album “Times Square.”
3-pages of transcriptions of Roy Haynes trading eights on “Donna Lee” from “The Straight Horn of Steve Lacy” 1961, and choruses “Matrix” from “Now He Sings, How He Sobs,” from 1968
A 6-page transcription of Paul Motian‘s drumming on “Life Between The Exit Signs”
3-pages of transcriptions of Max Roach drum solos with Charlie Parker from the album “Now’s The Time: The Genius Of Charlie Parker #3”, 1952
